There are minor nods to giallo in the colour palette, but this element of the film is kept too quiet for it to ever fly as a true homage. Their impact, meanwhile, is left to Rivas to convey and her tortured performance is impressive, hinting at a depth the story is unwilling or unable to ever provide.īeyond the leading lady’s work, though, this film is simply a bouillabaisse of undercooked elements, which each feel like fractured shards of a potentially compelling, supernaturally-inflected thriller. These malicious spirits of some kind are invading her brain and vocal chords, making funny noises and blurring her notion of what’s real and imagined. In tried and tested horror fashion, the movie introduces a wise, older person (Mirta Busnelli) to explain what’s going on, introducing the concept of “intruders”. Anyone who has seen a similar genre picture will be familiar with the mysterious elements at play – a neighbour hears loud high heels walking around in Inés’s flat at night, Leopoldo’s visage appears in a nightclub – and there’s very little in the way of surprise as filmmaker Natalia Meta goes through the genre motions. Mysterious things are happening, though, and there are unexplained noises appearing on her voice recordings.įor most of its running time, The Intruder is a slightly plodding slow-burn. ![]() Back home, her mother (Cecilia Roth) moves in to help her out and she begins to bond with Alberto (Nahuel Pérez Biscayart), who tunes the organ at the concert venue where she sings as part of a choir. Soon after, she’s on holiday with partner Leopoldo (Daniel Hendler), right up until he takes a plunge from their balcony. Inés (Erica Rivas) is the dubbing performer in question, and we meet her providing gasps and shrieks for a brutal, sexually violent horror movie. Sadly, it’s a muddled picture of a story that never gets its house in order. The latest film to operate in this interesting niche is Argentine thriller The Intruder, which explores the reality-distorting impact of grief on a voice actor who dubs foreign movies into her native language. Most notably, of course, there’s Peter Strickland’s giallo-inflected Berberian Sound Studio. ![]() There’s an interesting little sub-genre of horror movies and dark thrillers set in the world of movie sound. Starring Erica Rivas, Nahuel Pérez Biscayart, Daniel Hendler, Cecilia Roth, Mirta Busnelli and Agustín Rittano.Ī dubbing artist and singer is plagued by troubling noises and an unravelling mental state in the wake of trauma.
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